101 Top Hits

101 Top Hits Beschreibung Tap your foot to the beat and play along to these familiar bops with 101 Top Hits for Horn! This collection is jam-packed with chart-topping hits and viral favorites, all carefully arranged for your instrument. Diverse and Popular Jam-packed with all of your favorites, this songbook is perfect for players looking to build confidence while having fun! Learn to play songs various audiences can sing along to with carefully adapted solo arrangements. Whether youre performing live or practicing at home, youll be happy to add these tunes to your repertoire! Something for Every Mood and Style Your audience will dance on the stage in their heels to “Pink Pony Club,” make a statement with “Im Just Ken,” and feel the love with “Thinking Out Loud.” With 101 iconic songs, theres always something fresh to play! Beginner & Intermediate Players This easy-to-play collection features simplified rhythms, accessible key signatures, and comfortable note ranges. Designed with solo instrumentalists in mind, these arrangements are both accessible and engaging, making them great for practice, performance, and personal enjoyment. Grab your horn, turn the page, and get everyone singing along to these crowd-pleasers! About Damn Time All I Want All Too Well Always Remember Us This Way Another Love Anti-Hero Anyone As It Was Bad Guy Bad Habits Beautiful Things Before You Go Believer Birds Of A Feather Blinding Lights Both Sides Now Cant Catch Me Now Cardigan Champagne Problems Cold Heart (PNAU Remix) Cover Me In Sunshine Dance The Night Daylight Deja Vu Die With A Smile Drivers License Dynamite Easy On Me Espresso Exile Eyes Closed Fast Car Flowers For A Moment Fortnight Fought & Lost From The Start Glimpse Of Us Golden Hour Good 4 U Good Luck, Babe! Happier Happier Than Ever Havana High Hopes Hold My Hand How Do I Say Goodbye I Aint Worried I Had Some Help Im Just Ken Leave The Door Open Lift Me Up Loml Long Long Timeoo open) Correct enharmonic spellings of notes. This is an unfortunate byproduct of writing in asinine transpositions. A careful reconsidering of cue usage. Corrections of many inconsistencies between original parts and score, and even between parts themselves. The addition of measure numbers, including helpful ranges listed under multi-measure rests. Deleting key signatures and writing all parts utilizing accidentals only. All parts are formatted for standard Concert 9×12 paper, and is best printed on that size. Reading it on 8.5×11 is not ideal, but the compression percentage isn’t too significant. Similarly, reading it off a larger tablet (e.g. iPad Pro) doesn’t present any significant issues. In some