The Brass Tactics 6/60 Routine  The Brass Tactics 6/60 Routine can be likened to circuit training--its a very efficient way to cover all the bases of sound production in under an hour. The modular approach, presented in three different levels, makes it highly adaptable to individual ability and goals.     About The Brass Tactics 6/60 Routine  “Time is what we want most, but what we use worst.”  William Penn     The Brass Tactics 6/60 Routine was born out of several considerations:  Playing a brass instrument is an athletic activity and must be approached as such.  There never seem to be enough hours to practice everything we want and need to practice.   Most of us don’t use our practice time as effectively as we could. Distractions are ever present.  Concentrated effort is effective and efficient.  A well-balanced menu is as vital for a brass player as it is for a human being. ?     The 6/60 Routine can be likened to circuit training. It consists of eight exercises to be performed in a specific sequence. Each exercise is carefully timed, including rests. No exercise takes longer than 6 minutes. The entire routine can be performed in less than 60 minutes. (See what I did there?)      A COMPLETE WORKOUT  The eight exercises that comprise the routine address virtually all aspects of sound production:  Long notes  Short notes  High notes  Low notes  Loud notes  Soft notes  Slurred notes  Articulated notes  Scales  Arpeggios  Finger dexterity   Leadpipe buzzing  Mouthpiece buzzing  Flexibilities  Long tones  Note bending  Whisper tones  Initial attacks  Tonguing (Single / Double / Triple)  Tone  Endurance  Intonation  Mental Focus     LEVELS / VARIATIONS   Each exercise is presented in three different levels. Six of the eight exercises are presented in two variations, so that two different routines are available at each level.      MODULAR CONSTRUCTION   The most effective way to practice the routine is to perform one exercise after another with minimal rest in between. But each exercise takes you through the full range of the horn and can be performed separately, like a mini routine. This is a good option for those whose schedule more easily accommodates a number of shorter practice sessions throughout the day, rather than one longer session. Once you realize how much can be accomplished in just a few minutes, you’ll discover there are more opportunities to practice than you may realize.     WHO IS THIS ROUTINE APPROPRIATE FOR?  The routine is presented in three levels to suit a range of players from intermediate to professional. A trumpet bias is evident, but all brass players face similar challenges and the exercises can be adapted to any brass instrument.    180 pages / Spiral bound